I love the work of CAMP, and got to spend some quality time thinking through the nuances of how they activate different archives through imaginative media constructs over the years and how these forms point to different configurations of what it means to be the public. The fruit of this quality time is now a review of Video After Video: The Critical Media of Camp—their show at MoMA, and it is out in the latest issue of Millennium Film Journal, MFJ 82: Real Life. Happy to share space with filmmakers and writers such as Jennifer Reeves and Mike Hoolboom.