Art & Pedagogy
This semester I have been teaching a fun meta-class, Teaching Practicum, at Brooklyn College for MFA students in the PIMA program (Performance and Interactive Media Art). In addition to practical aspects of teaching and great learning sessions in which they each teach one section of their classes, we have been exploring some of the many recent projects in art and pedagogy, experimental and/or free schools run by artists and reading essays from Curating and the Pedagogical Turn and Art School: Propositions for the 21st Century, as well as some radical educational theory like Ranciere’s The Ignorant Schoolmaster and Paolo Freire’s Pedagogy of the Oppressed.
This week we had a visiting artist, Mary Walling Blackburn (http://welcomedoubleagent.com/), who shared some of her amazing projects exploring alternate strategies for disseminating knowledge, intimate interactions, subjective cultural resistance and a multidisciplinary mytho-socio-political excavation of space and place, among other things. These included the Feminist Read-A-Thon / Anhoek School, Radical Citizenship: The Tutorials, Dormitory in June, Iran, The Little Heavy Ones, Bad Dreams as Border Songs—a piece for Trade School in which she collected dreams from people living in Redford, Texas to disseminate in other places, as songs sung into the ears of willing participants—and her upcoming project for Bard College, Library In (the Land of Fuck). Very inspiring. Thanks Mary!
Hubbard/Birchler
My review of the Hubbard/Birchler show at Tanya Bonakdar gallery is up here, in issue #162: Between Perverse Meaning and Nonsense of the excellent online journal …might be good based in Austin, Texas.
Essay on the High Line
My essay on NYC’s High Line, “The Highline: Monument to Modern Ruin,” is out in the September/October issue of Afterimage.
Hurricane Season
My co-programmer Meredith Drum and I have put together a screening for ISSUE Project Room happening on September 15th at 8:00PM. Hurricane Season is an evening of experimental documentary shorts reflecting the recent history of the Gulf region of the US. Most of the work has been made since Katrina, some this year. Excerpts from Robert Flaherty’s Louisiana Story and Tony Oursler’s 1982 Son of Oil will also be shown.
Artists to be screened: Ghen Dennis, Courtney Egan and Helen Hill, Robert Flaherty, Liza Johnson, Christina McPhee, Tony Oursler, Gretchen Skogerson and Pawel Wojtasik.
More about the screening at:
http://hurricaneseason2010.wordpress.com/
ISSUE Project Room is located on the 3rd floor of (OA) Can Factory, 232 3rd Street at 3rd Avenue in the Gowanus neighborhood of Brooklyn. Subway F and G Line to Carroll St-Smith St. stop.
issueprojectroom.org, 718-330-0313.
Admission is FREE.
One Hour Photo
I’m tickled to be a part of the conceptual photography exhibition One Hour Photo at the American University Museum at the Katzen Arts Center in Washington, DC. (More about One Hour Photo on FB)
You can see my piece on Wednesday, May 12 from 11-12 only! Then it will never be shown in public, sold or reproduced again.
One Hour Photo in the Washington Post
Here’s my contract:






